The combination of Balinese girls and their beautiful headdresses are great beauties to behold.

Continue reading ‘Your Weekly Dose of Beauty: Balinese Girls and Their Headdreses’

There is a holiday called Kajeng Kliwon in which Balinese serves Tipat or Belayag (rice-cake snack cooked in a small container of woven young coconut leaves) to The God. Besides in Kajeng Kliwon, Tipat is also used as an offering to the God in a day called Nyepi. A baby who enters temple for the first time is usually brought Tipat symbolizing that he or she asks permission from the deities who reside in the temple to enter the temple by presenting a Tipat.

There are many kinds of Tipat known in Bali. They can be differentiated in term of shape. A square-shape tipat is called Tipat Nasi, while the round one is called Tipat Taluh and for the pyramide-shape one, Balinese call it Tipat Sari, and many more shapes.

Continue reading ‘Delicious Meal in Woven Young Coconut Leaves’

Stroll through the hotel’s landscape, and you’ll find a virtual celebration of life. With tropical flowers and trees set amidst tiered lawns. Stone step, cut into the cliff, lead into a lush ravine that forms the entance to secluded, calm waters.

Let your eyes wander and you’ll realise that your choices don’t end here. After all, there are 323 spacious guest rooms, sumptuously appointed suites and private villas from which to choose. Almost all open out to dramatic views of the sun, sand, water and sky.

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Wayan Limbak, a late Balinese dancer which the popularity of his legacy has surpassed his own name, was a Baris (warrior dance) dancer who, along with Walter Spies, created the island’s famous monkey dance or Kecak. Kecak dance which is usually contracted into Cak is a contemporary Balinese dance, a secular dance that its origin can be traced to the sacred Sanghyang dance.

This dance was first created by Wayan Limbak in Bedulu village, Gianyar regency, at the request of Walter Spies. Wayan Limbak was commissioned to devise a new kind of dramatic performance which is based on Ramayana epic, accompanied solely by a chorus like that found in sacred Sanghyang Dedari performance.

Continue reading ‘I Wayan Limbak’

Lembongan Island is situated just 23 kilometers of Bali ’s East Coast. Renowned for its marine life, the waters of Lembongan are crystal clear and the warm and friendly locals are always happy provide tips on best surfing, snorkeling, Village tour and diving locations. With relatively few tourists on the island, visitors can enjoy un-crowded and white sandy beaches and relaxed atmosphere as the island greatest asset.

Tanis Villas is a modern world combination architect with Balinese decorations. A perfect home based for your exploration of the heaven paradise of Lembongan Is Tanis Vilas pool vie wand. The Villas lay out has made it possible for all Nine units exclusive sculptured environment with six units standard villas, two units of two bedroom Villas and one Tanis Villas. Some available are fan cooled and Air conditioned villa. Lush tropical garden main view of the villas.

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Here is an interesting article on the contrast of Music style between Java and Bali from Fredric Lieberman.

Java and Bali share many basic music-style elements. The predominant instruments in both traditions are struck metal idiophones and idiophone sets, large ensemble performance is the ideal, and solo instrument traditions are rare. The same kind of tuning systems are found in both areas. Musical form is delineated by colotomic or interpunctuating instruments (gongs) while agogic instruments (drums) control the kinetics of flow; and the prevailing texture is that created by several musical levels, or strata, elaborating or abstracting a basic melody.

Music is primarily an adjunct to ritual, dance-drama, or puppetry, the literature of which derives from the Hindu epics Mahabharata and Ramayana. Despite these shared characteristics, the two music styles give decidedly differing impressions. Javanese music is refined, controlled, serene, intellectual, “. . . each note is so soft, so tender, so vaguely thrilling, so changing–but ah! how compelling, how bitterly beautiful: that is no tinkling of glass, of copper, or wood; it is the voices of men’s souls that speak to me . . .” (Kartini 1964:50) Balinese music, on the other hand, is dynamic, lively, full of contrast and excitement, with “. . . a beauty that depends upon form and pattern and a vigour that springs from a rhythmic vitality both primitive and joyous.” (DeZoute 1939:6)

Continue reading ‘Through the Eyes of Researcher: Contrasts of Music Style between Java and Bali’