Wayang Wong
The term Wayang Wong comes from the two words wayang meaning shadow and wong meaning man. Wayang Wong, which translates to shadow men, is a human dramatization of the Wayang Kulit (shadow puppet) show, wherein the dancers imitate the jerky movements of the puppets. Wayang Wong is one of several Balinese performance art forms which meld dance, drama and music. In Bali, there are two kinds of Wayang Wong, Wayang Wong Parwa which adapts stories from the Mahabharata for the stage, and Wayang Wong Ramayana, which takes stories from the Ramayana.
In Wayang Wong Parwa, all actors, except for the clowns (penasar), do not wear masks. In Wayang Wong Ramayana, all the actors are masked. Wayang Wong Ramayana is generally known just as wayang wong, hereas the wayang wong parwa is usually referred to as parwa. Wayang Wong is believed to have emerged around the time of the Waturenggong regime (1460-1550). The language used in Wayang Wong is Balinese or Kawi (a form of old Javanese language), noble characters use Kawi, the clowns (penasar) use Balinese for those who do not understand Kawi the clown (penasar) act as a translator who talks allowed, explaining what is happening. This, like many other dances, is part pantomime and can be very funny.
The Wayang Wong masks are sacred and have magical power. This is believed to be due to both the special wood from which they are made, a Pasupati (investing magical power to an object) ceremony and the fact that the masks regularly undergo ritual cleansing, and have so for centuries. Special rituals accompany the use of the masks at every performance. In the morning, the performers pray in the temple to ask God to protect them while they are performing.
The Wayang Wong Ramayana can be found in:
- Mas, Telepud, Den Tiyis (Gianyar),
- Marga, Apuan, Tunjuk, Klating (Tabanan),
- Sulahan (Bangli),
- Wates Tengah (Karangasem),
- Bualu (Badung),
- Prancak, Batuagung (Jembrana)
Wayang Wong Parwa can be found in:
- Sukawati, Teges, Pujung (Gianyar)
- Blahkiuh (Badung).
Editor’s Note
Read also Wayang Wong Tejakula
- Wayang Kulit (Leather Puppet)
- Ancient Shadow Puppets (Wayang Kulit)
- The History of Wayang Wong
- The Origin of Balinese Opera
- A New Balinese Contemporary Dance: Legong Mintaraga
- Drama Gong: The Most Popular Theatrical Performance
- The Voice of Bali
- Arja: Balinese Opera, A Step Closer to Extinction
- All is Fair in Love
- A Balinese Birthday
- Through the Eyes of Researcher: Form and Variation in Balinese Village Structure
- My Old "Moon River"
- Jayaprana and Layonsari
- Mak Beng: A menu with Thousands Customers
- On the way to Pasar Agung Temple
- Flower in Balinese Life
- "Night" in Balinese Point of View
- What to Do on Full Moon in Denpasar
- A Glimps on Caste Strugle in Bali part 1
- Ingka: Simple and Practical Balinese Plate
- Denpasar Will Serve You “Bulung”!
- The Worst Month in a Year
- Omen and House Compound
- Behind Galungan Holyday
- Through the Eyes of Researcher:Buying Offerings
- Healthy a la Balinese
- Sin Can Kill
- Remembered for introducing Balinese painting to the world
- The New Year Eve in Denpasar
- Fighting Global Warming a la Balinese
- On 'Banten' – the Forgotten Meaning
- Inspired by Birds
- Bazaar a la Balinese
- Balinese Monster and Scary Creatures
- The Rare Ketungan Musical Instrument
- The Month of Pestilence
- People of Bali
- History of Bali
- BALI RANI HOTEL, KUTA, BALI
- Bakungsari Cottage, Kuta, Bali
- Tips for Buying Woodcarving
- Bound by Obligation: to Ancestors
- Alam Puri Resort & Art Museum Bali
- Ayodya Resort Bali
- Through The Eyes of Researcher: Rituals as Religion, Rituals as Custom
- On Eclipse
- The Last Day of Classical Dance and Drama Performance
- The First Day of Classical Dance and Drama Performance
- The DreamLand Luxury Villas & Spa
- Dealing with Balinese 1
- Bali Unveiled 2
- Prembon: Balinese Hybrid Drama Performance
- Making A Sacred Mask
- Kafe Batan Waru
- Temple Etiquette in Bali
- I Gusti Nyoman Lempad
- The "Moon" of Pejeng
- The Ubud Village Resort
- On Comet
- Balinese family builds a penjor
- In Search for the Past
- Topeng Pajegan: The Most Demanding Mask Performance
- Puri Dajuma Cottages
- More on Balinese Language
- A Balinese Folktale: I Gobrag
- From Sacred to Profane: Barong and Rangda Dance
- Debt in Balinese Point of View
- Being Balinese
- Balinese Dance: From Sacred to Profane
- Topeng Panca: Popular Mask Performance
- A Balinese Folktale: Jaratkaru
- White lie a la Balinese
- Sendratari Tantri
- Geringsing: Sacred Cloth of Tenganan
- Rerajahan: Sacred Drawing
- Candrasengkala: Art of Chronogram
- Cakepung: Ancient Merry Performance
- Balinese Drama: In Front and Behind The Scene
- Banana
- More on Meduwe Karang Temple
- Protecting House Compound: Amulet
- Yayasan Kemanusiaan Ibu Pertiwi (YKIP)
- Tumpek Kandang : Balinese Animal Day
- The King of the Tree
- Balinese View toward Disaster
- Tukang Terang (Rain Man)
- Lontar Ancient Balinese Palm Scripts
- Balinese are Always Lucky
- Wayan Loceng of Sukawati has passed away
- Ajeg Bali, the struggle for renewal
- 5000 man Kecak at Tanah Lot
- Makepung – Balinese Buffalo Racing
- Tumpek Kandang
- Bali Arts Festival 2006, Day 25
- Bali Arts Festival 2006, Day 14
- Bali Arts Festival 2006, Day 10
- 'Sitarasmi': A dancer's journey to personal maturity
- Pura Bukit Mentik, Gunung Lebah Batur
- Ulun Danu Temple Batur
- Guidelines for the Culturally Sensitive Guest
- New face for a familiar place...Puri Saraswati Bungalows
- People of Bali



















