Pamurtian: The Raging God
Gods and goddesses in Balinese culture is not immune to the emotions, they can be happy sad or in rage, that is why Balinese strive in many ways to please them. Beautiful offerings, sacred ceremonies, delicate gamelan music, superb dances performance, and sweet singer voice when reciting ancient romances (kakawin) are just small parts of Balinese efforts to please the gods and goddesses.

When gods and goddesses are happy they will bestow prosperities and blessings to all inhabitants of the world. Balinese believe that when the gods and goddesses are happy they will appear in beautiful forms complete with all signs of good luck and protection, with sweet smiling faces and friendly gestures.
However, when gods and goddess are in rage, they will appear in “pamurtian” forms. The word “pemurtian” is derived from the word “murti” means “form”. The pemurtian is a terrifying forms of gods and goddesses, they will appear with demon faces, usually has more than five heads, twelve hands each caries a celestial weapon ready to strike the wrong-doers.

Pemurtian form of gods and goddesses has a special place in shadow puppet performance. In the shadow puppet performance, pamurtian form is associated with divine appearance of gods and goddesses to protect the universe from the evil force of raksasa (demon or giant). In the shadow puppet story, when the force of virtue appears in the verge of defeat, a god or goddesses will appear in his or her pemurtian form to help the force of virtue and conquer the force of evil.

The double role of gods and goddesses in pamurtian forms, as punishers and saviors makes the pemurtian is highly revered by Balinese, not just give them a sense of justice is always enforced but also the sense of security. The Pemurtian form though sometimes appear very frightening but it is not something that is out of control but an almighty force that is need to restore the balance between the positive and negative force.
- Dalang - The Wayang Puppeteer
- Through the Eyes of Researcher: Contrasts of Music Style between Java and Bali
- Dealing with the Painting
- Balinese Answer for Aesop's Fables
- "Night" in Balinese Point of View
- Wayang Skateboard
- A Brief History on Klungkung
- A Balinese Folktale: Yellow Moon
- People of Bali
- The Lively Kebyar Dance
- A Balinese Folktale: Bulan Kuning
- Gamelan Cudamani US/Canada TOUR 2007
- Wayang Lemah: An Exorcistic Puppet Performance
- I Gusti Nyoman Lempad
- Dealing with the Unseen
- Balinese Contemporary Dance
- Topeng Pajegan: The Most Demanding Mask Performance
- Divine Rage versus Heaven and Hell
- Sekaa Teruna: Traditional Youth Organization
- Balinese Drama: In Front and Behind The Scene
- Through the Eyes of Researcher: Balinese Religion
- Tumpek Wayang: A Day for Puppet
- Odalan: Temple Anniversary
- On "Balinese are truly communal people"
- I Gusti Agung Ngurah Supartha 1943 - 2007
- The Voice of Bali
- Balinese Love Story
- Balinese Traditional Literature: Forgotten Jewel of Bali
- Bitterness Behind a Cremation Ceremony
- Gamelan (Traditional Balinese Orchestra)
- An Exciting Journey to a New Life
- The Importance of Past in Balinese Life
- A Never-Ending Quest for Holy Water
- Ngerebeg (Village Purification Ceremony)
- Concert Dec. 1 Gamelan Gita Sari Under the Direction of I Wayan Dibia
- Wayang Kulit (Leather Puppet)
- Wayan Loceng of Sukawati has passed away
- Wedding, East Meets West Bali Style
- Ider-ider
- Thank you, Bali & thank you, BALIwww.COM
- Contemporary World Dance Came to Ubud
- Bali Arts Festival 2006, Day 18
- Gamelan
- Lila Cita Bali Tour 2006
- Legong Bapang Saba
- Gamelan Sekar Jaya upcoming concerts in San Fransisco Bay Area
- From The Grace of The Gamelan to The Pulse of The Underground: The Power and Passion of Music in Bali
- The Grace and Power of Balinese Dance and Drama
- Bale Banjar
- Wayang : Balinese shadow puppets















