Jegog is Jembrana’s traditional musical instrument. This instrument consist several sizes of bamboo tubes that are lined up inside a wooden frame. The name of Jegog its self is taken from the biggest instrumental component named Jegogan. Since Jegog is made of Bamboo, it offers something different from most of Balinese musical instruments that are made of metal.

Many people love watching and listening to it. Moreover, when there is a Jegog Mebarung show, a battle of Jegog that is conducted by 2 up to 3 groups in which the groups beat their bamboo in turn, the clapping hand of applauses can be heard during the show. In Jegog Mebarung the who get louder claps is the winner.

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Here is an interesting article on the contrast of Music style between Java and Bali from Fredric Lieberman.

Java and Bali share many basic music-style elements. The predominant instruments in both traditions are struck metal idiophones and idiophone sets, large ensemble performance is the ideal, and solo instrument traditions are rare. The same kind of tuning systems are found in both areas. Musical form is delineated by colotomic or interpunctuating instruments (gongs) while agogic instruments (drums) control the kinetics of flow; and the prevailing texture is that created by several musical levels, or strata, elaborating or abstracting a basic melody.

Music is primarily an adjunct to ritual, dance-drama, or puppetry, the literature of which derives from the Hindu epics Mahabharata and Ramayana. Despite these shared characteristics, the two music styles give decidedly differing impressions. Javanese music is refined, controlled, serene, intellectual, “. . . each note is so soft, so tender, so vaguely thrilling, so changing–but ah! how compelling, how bitterly beautiful: that is no tinkling of glass, of copper, or wood; it is the voices of men’s souls that speak to me . . .” (Kartini 1964:50) Balinese music, on the other hand, is dynamic, lively, full of contrast and excitement, with “. . . a beauty that depends upon form and pattern and a vigour that springs from a rhythmic vitality both primitive and joyous.” (DeZoute 1939:6)

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When there is a celebration in a hamlet meeting hall or house compound, joged bungbung is one of few sought after social dances that is used to entertain audience and bring more festivity to the celebration.

Joged Bungbung on The Annual Bali Arts Festival 2006

The name joged bungbung derives from the word joged that means “dance” – joged bungbung dancer is also called joged - and the word bungbung refers to a length of hollow bamboo. Unlike the bronze-keyed, xylophone – like instrument of musical group that accompany most of the performance, the keys of this ensemble are turned length of the bamboo, struck with rubber-covered mallet held in both hands. The music is very soft and mellow. One may hear it played by a soloist as background music at restaurant. But the joged bungbung group consists of half a dozen or more of these instrument, some very large bass xylophones, several of medium size, and tiny ones to ornament the melody. There are also drums and cymbal like ceng-cengs. Since it has no religious connection, joged is now popular lobby entertainment at many of the larger hotels.
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The word Gamelan is a Balinese term for “orchestra”; there are many types of Gamelan in Bali. Gamelan is a generic term, and there is dozen or more completely different kind of ensembles. Gamelan is a percussion-dominated musical ensemble.

The instruments that are used in a Gamelan ensemble usually consist of

Gangsas
Metallophones that look like xylophones, called gangsas, consist of a carved often gilded, frame containing bamboo resonator over which a series of bronze keys are suspended by hide lacing. The bronze keys are hit with little wooden hammers which causes bamboo resonators below the keys to vibrate. They may have four to fourteen keys and are grouped in matching pairs according to size and number of key. After the keys have been hit by the hammer in the right hand, the left hand immediately grasps the key to stop the sound merging in the next note.

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